Honor Fraser presents its annual summer group show titled “Bitch Is The New Black” and curated by Emma Gray. Should be an interesting show...Her site's press release says:

The group show spotlights fourteen Los Angeles-based women who are all emerging or established artists from roughly the same generation and are bright lights on the local scene. All share a certain maverick outlook and ballsy attitude that distinguish them at a time when their male counterparts continue to receive the lion’s share of the artworld’s attention.

A wide range of interdisciplinary work will be on display: painting, sculpture, photography, video and performance. The works also display a diverse range of attitudes toward female identity politics. Kirsten Stoltman delivers straight from the hip, describing herself as a ‘self-destructive feminist’. Annie Lapin, who studied under another of BITNB’s featured artists, Catherine Opie, could have her outlook described as ‘post-feminist’. Cathy Akers pees standing up like a man in her pee performances and uses the trope ‘hertopia' to describe her dioramas. Rosson Crow often utilizes typically male bastions, like the stock exchange, butcher shops or oil fields as her subject matter. Other artists avoid the “f”-word altogether.

Thematically, the exhibition was inspired by the Anne Sexton poem Consorting with Angels. The title of the exhibition, an incredibly glib fashion term, was repurposed from a snippet of dialogue from Saturday Night Live that was broadcast during the 2008 presidential election. Tina Fey celebrates the idea of a woman president as a “bitch,” reasoning that “bitches get stuff done.” A few episodes later her cast mate Tracy Morgan rebutted Fey’s statement by saying: “Bitch may be the new black. But black is the new president, bitch!” Most importantly, the title asserts the artists’ shared independent streak. “Bitch Is The New Black” isn’t re-envisioning a new collective feminist consciousness; it is about celebrating talented artists in the city of Los Angeles who happen to be women –- with attitude.

Artists: Cathy Akers, Kathryn Andrews, Rosson Crow, Krysten Cunningham, Pearl C. Hsiung, Annie Lapin, Shana Lutker, Ruby Neri, Catherine Opie, Amanda Ross-Ho, Anna Sew Hoy, Mindy Shapero, Kirsten Stoltmann, Bari Ziperstein

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Gearing up for the Sotomayor confirmation and all that she's going to have to endure when it comes to defending that statement about being a "wise Latina woman..." the NY Times had a fantastic article/interview about Ginsburg's take on being the only woman on the Supreme Court and how she's looking forward to ending that streak. I particularly loved this response she gave in regards to working with men over the years:

I always thought that there was nothing an antifeminist would want more than to have women only in women’s organizations, in their own little corner empathizing with each other and not touching a man’s world. If you’re going to change things, you have to be with the people who hold the levers.

photo: Ruven Afanador for the NY Times See more »

Helicopters overhead, feeling of movement in Los Angeles...acknowledgment of music as American spirituality, Christ-like iconography for our Michael...thinking about it all...our collective childhoods, the many markers on the timeline of sounds we really really loved. See more »

After a wave of celebrated artists' deaths we lose another genius...Pina Bausch. Pina's choreography has always been breathtakingly special to me. From the first time I experienced her work I would seek out her dance pieces because to witness her choreography was something otherwordly. When dance takes you to another place with chills and colors and astonishing costumes, story...she made me weep, and the dance world will truly miss her. Appreciation article in the LA Times today. See more »

You were such an integral part of my Seventies childhood. Jill Monroe kicked ass with total class. See more »